French Impressionist painter Edouard Manet died of rheumatism and untreated syphilis at the age of 51 on April 31, 1883.
Born into a wealthy, well-connected family in Paris on January 23, 1832, Edouard Manet was expected to practice law by his mother and father. Manet, however, had little interest in law and was instead fascinated by painting and the arts.
After failing his naval examinations more than once, Manet’s parents finally supported his career choice and sent him off to study under painter Thomas Couture. In addition to this, Edouard Manet would spend hours at the Louvre recreating classic masterpieces.
Manet was among the first of the 19th century painters to approach modern and post-modern subjects, and was an integral part of the artistic movement from Realism to Impressionism. Some of his most famous paintings are Olympia, The Luncheon on the Grass, and A Bar at the Folies-Bergere.
French Impressionist painter Edouard Manet died of rheumatism and untreated syphilis at the age of 51 on April 31, 1883.
January 31 is Inspire Your Heart with Art Day!
Inspire Your Heart with Art Day is a celebration of creativity which focuses on the effect that art can have on one’s heart. To observe the occasion, go visit a museum or an art gallery, or make some art on your own.
If you’re going to celebrate by checking out some professional art, pay attention to the artist’s technique and ask yourself how each particular piece makes you feel. If you’d rather create your own art, get together with some friends in a judgment-free zone where everyone is comfortable expressing themselves creatively.
Check out some of our amazing art calendars!
Sherri Buck Baldwin’s studio, Heart in Hand Ltd., is located in Madison, Wisconsin. Here she finds inspiration in the beauty of the changing seasons.
Buck’s favorite subjects are her gardens and the birds that visit the feeders and houses. For the past twenty years, Buck’s artwork has appeared on many Christmas and greeting cards, calendars, and a wide variety of kitchen, decor, and giftware items. She is also a published illustrator of children’s books such as Special Friends and What’s Inside Miss Molly’s Locket?.
See all of Sherri Buck Baldwin’s 2013 calendars.
Please describe your art style and technique.
I have been an artist for most of my life and I enjoy creating artwork in a variety of mediums, which include primarily ink, watercolor, colored pencil, soft pastels, and most recently, relief printing. I have also just begun to experiment with combining digital art with my hand drawn imagery. I enjoy drawing more than painting because I like the control it allows so I usually prefer to combine watercolors with ink or pencil rather than painting with them alone. I majored in printmaking in college, specializing in etching and stone lithography due to my love of linework. Drawing with soft pastels gives me the opportunity to loosen up my highly rendered style.
The birds you include in your art are incredibly detailed and lifelike. What’s your inspiration for achieving such realistic depictions?
For several years now I have produced a calendar with birds and flowers as the theme. It started out as “Birds in the Garden”, but is currently titled “Birds and Blossoms”. I am an avid gardener, but no garden is complete until it is populated with all variety of birds. I put out feeders which entice several bird species to visit, and place birdhouses in several areas of my large yard to entice them to stay. I look forward to each spring when the wrens return and their song fills the summer days. I am fascinated with photographing birds and my camera is always on the tripod pointing out my studio window directly at my feeders. With a remote control shutter I can be quite successful at getting shots of birds coming and going from the feeders. My biggest challenge is capturing them in flight since I like to draw them with their wings outspread. It is often surprising to see how much they look like they are swimming through air. I have created extensive photo files of birds which I study when I work on my bird art. Two years ago I was rewarded with a visit for several days from a Varied Thrush which is native to the Northwest, but somehow found itself in Wisconsin one winter. It became a subject for my 2012 Birds and Blossoms calendar.
Your paintings have amazing depth and a rich pattern-upon-pattern effect. How do you accomplish that?
My bird calendar images are actually two layers of artwork. The top layer is drawn in colored pencil on frosted Mylar, while the layer underneath is a collage created from vintage paper ephemera I collect. I like the resulting transparent, layered artwork. The combination of printed materials, especially antique maps, underneath the bird’s bodies and wings is quite evocative. It’s hard to believe that a creature as small and fragile as a hummingbird can fly all the way from Wisconsin to Mexico, so I like to place a piece of map from both their summer and winter destinations underneath the body of the birds. Bits of lace, vintage writing, and words like ‘fragile’ have also been tucked underneath my bird drawings. It’s subtle, but an interesting added dimension to the artwork.
How do you come up with ideas for your art? Please describe your creative process.
My ideas come to me most often when I am outdoors, especially when walking my dogs or working in my gardens. Whenever I feel stuck, I grab their leashes or my garden gloves and head outside. I’m lucky to live in Wisconsin, with its beautiful lakes and rolling hillsides.
Please describe the environment where you work.
My studio is located in my home and the room was added onto our house by my husband. I have been able to work at home for the past 24 years while my children were growing up and that is something I have been extremely grateful for.
You’re also an avid gardener. Please tell us about your favorite plants and experiences in the garden and the role they play when you create your artwork.
Gardening is a passion of mine, one that I discovered after I married and moved to Wisconsin. I grew up with a gardening mother and realized I had absorbed much more about the subject than I thought I had when it came time to contend with a yard of my own. Now, most of my entire front yard is a garden, with only a small amount of lawn. Not confining my gardening efforts to the backyard is something I learned from going on several garden tours throughout England, one of my favorite destinations. I enjoy practicing the art of fruit tree espalier and have trained two pear trees into flat candelabra shapes against a wall of my house, with six additional dwarf apple tree espaliers trained in a cordon around two curved rock walls in front of my house. Espalier is a technique for training fruit trees against a wall in order to conserve space. I created a deep perennial border along the entire length of the lawn in my backyard. In addition to my home garden I tend a local park’s garden on the lake where I have created ‘drive-by’ garden borders in 3 medians in the road for a total of 150’. Each year I try to plant surprises for the village residents, like tall sunflowers mixed in with the perennials. My favorite flowers are the simpler shapes like tulips, sunflowers, poppies, and hollyhocks. The patio outside my studio is filled with containers of all sizes in the summer, which are planted with annuals that hummingbirds are attracted to, like lantana, abutilon, and salvias of all kinds. I also grow herbs in pots as well as a few vegetables.
Tell us what a typical day for you is like.
I’m an early-riser so my day begins soon after dawn. Once my pair of Border Terriers is walked I head into my studio for most of the day to put pen, brush, or pencil to paper. I also spend time emailing with my designer in Texas on projects we are working on for my own line of paper products. I am excited about finally realizing this dream after spending nearly 25 years in the world of art licensing.
How long does it generally take you to complete a painting for your calendars?
I try to complete a calendar drawing or painting in a week, but sometimes it takes a bit longer due to the detailed nature of my work.
Are you as good at cooking and preparing food as you are painting it?
I enjoy cooking with the herbs and vegetables I grow myself, as well as the produce I get each week at Farmer’s Markets in my area. My efforts are usually well-received by my family. My teenage son is the resident tomato-growing expert and a pretty good cook, too.
How did the ideas and paintings for your new Field to Market calendars come about?
Madison, Wisconsin, has a weekly Farmer’s Market with a national reputation for the quality of the produce for sale and I am fortunate to live only a few minutes away from this weekly event around the Capitol Square. I head there early on Saturday mornings with both my bag and camera in hand. The tables laden with vegetables, fruits, breads, jams, and flowers are stunning to behold and wonderful subjects to photograph. With the growing trend for buying local organic produce it seemed a good time to combine these colorful wholesome images into a calendar called Field to Market. I enjoy painting the rich colors of blue-black eggplants, red strawberries, orange carrots, all the various shades of green lettuces, and the sunlight shining through jars of jams, honey, and vinegars. It doesn’t get much better than that!
John Sloane always wanted to be an artist, and his talents were noticed as he went through school. His teachers encourage him to develop his talents, and he decided on a career as an illustrator while he was still a teenager.
Sloane opted to pursue a liberal arts degree, but spent his spare time in college developing his skills in painting and composition. Shortly after his graduation, he began to obtain free-lance commissions and has since developed a loyal clientele of publishers and collectors.
Sloane’s paintings highlight the beauty and variety of nature in all four seasons and the simple pleasures of country life. Check out John Sloane’s 2013 Country Seasons calendar line at Calendars.com.
You’re able to capture perfectly the sense of each season. Do you have a favorite season or particular time of year?
I love experiencing every season, so I would have to say that my favorite season is whichever one I’m in at the moment. Whenever possible, I like to paint pictures in the months in which they are set, as this allows me to feel and observe the many nuances of the season from life. I enjoy trying to capture the feeling of the sky in different seasons, the foliage of trees in summer and the texture of snow in winter.
Of course, an observer soon notices that there are many seasons within each season, as nature is in a constant process of unfolding. I think the most challenging months to paint are November and March, as those months are bare and rather colorless, and it can be hard to come up with new ways to portray them. But I have found that some of my favorite paintings turn out to be for those months!
Many of the scenes you paint have the feel of a bygone era. How do you accomplish that without having lived during that time?
I have always felt an affinity for anything old-fashioned, so I just naturally tend to think in that way. I find old houses, barns, horses and buggies, antique autos and period clothes to be much more interesting to paint than their contemporary counterparts. Also, I admire the ideals of traditional country values and the importance of our nation’s agricultural heritage.
Your Victorian farmhouse, Hearts Haven, that you and your wife renovated sounds like a labor of love. Tell us about it.
It is indeed a labor of love. Growing up in the city and suburbs, my wife and I shared a life-long dream of someday living in the country. We were fortunate to find a small nineteenth century farmhouse for sale, in need of renovation and situated in a lovely country setting. I was just young and idealistic enough at the time to be willing to undertake what would become a huge challenge of renovation. I think that over the years we have replaced or re-built just about everything on our old house, from the foundation to the roof. For one summer the entire house remained jacked up on a hydraulic lift as a new basement was dug and concrete was poured under it!And I designed and built a wrap-around veranda for the house. My dream was to be able to sit with my wife on an old wooden swing on an open front porch. Working together, we made the dream come true.
The places you depict in your paintings are so lifelike. Are they real places, or do they spring from your imagination?
The subjects of my paintings are imaginary, though they are often based on places I have been. Each painting usually begins with a kernel of reality that inspires me, and I then let my imagination take over. It has been said that writers often write the kind of books they would like to read. I guess I paint the kind of scenes I would like to inhabit.
People and animals populate your idealized landscapes. Are the people based on people you know?Do you have pets, and do you include them in your paintings?
Like my landscapes, the people in my paintings are a blend of the real and the imaginary. I like to include figures in my paintings whenever I can, in order to give life to the scenes. Often I will pose myself or my wife, attired in appropriate costumes, in order to get just the right look for what I’m trying to achieve. Sometimes family or friends are called on to pose.
Over the years, all of my dogs have been featured in my paintings, as well as local farm dogs, animals and wildlife.
What inspires your paintings?
Living in the country and enjoying the cycle of the seasons as I do, I would say that just about everything is a potential source of inspiration. I have so many ideas that it can sometimes be difficult for me to choose what to paint next. Sometimes a scene will inspire me to paint, while at other times an old-fashioned activity will be the starting point, and a scene will develop around that. In each series of paintings, I always try to present an interesting assortment of images and moods.
Tell us about the space where you paint.
I paint at home, in my finished basement studio that I had specially built when the house was renovated. In it I have plenty of room to paint, work tables, a cutting board, a storage area and a darkroom. I also have plenty of shelves where I keep a large collection of audio books and music CD’s. I have always loved listening to audio books while I paint. As I listen, the hours of work seem to fly by.
How long does it generally take you to complete a painting for your calendars?
I am very methodical in my creative process. Each painting takes me about a month to complete, from the conception to the final brush stroke. I begin by making thumb-nail sketches of my ideas and developing my subjects patiently until I am satisfied with the composition. I make a small but very detailed preliminary sketch, trying to work out all potential difficulties before I get to the final drawing stage. Once I’m satisfied with the design, I transfer it to my large drawing board by means of drawing grids and eye-balling the image, drawing lightly, square by square, until the entire outline is transferred. From there, I refine my final composition freehand in pencil. After that, I’m ready to begin painting. The more figures or architectural details and perspective that are depicted in the picture, the longer it takes me to paint. But I can usually finish everything within about thirty days.
You’re incredibly prolific. How do you maintain the discipline required to continue to create for so many years?
I don’t think of myself as being particularly prolific, but I am steady in my work habits. As a self-employed person, I learned long ago the value of maintaining discipline in my work days. I am now working on the new series for what will be the twenty-ninth collection of my calendar paintings. That will make 348 paintings painted in as many months!Yes, it’s prolific in the long run, but it is the result of long and steady work, over decades. I am especially fortunate to have the opportunity to share my vision and my art for so many years.
What’s a typical workday for you like?
As I hinted earlier, I am a creature of habit, so my workdays are pretty much unvarying. I begin every morning with a long walk with my dog down the old cow path through the meadow behind my house. I find these walks to be creatively stimulating, as I often get some of my best ideas while on these outings. It also keeps me from spending too much time sitting at my drawing board.
After breakfast, I usually spend some time on business and e-mails. As soon as possible, I head into the studio. I customarily paint through the afternoon and evening, while taking periodic breaks and walking my dog. I sometimes think that I spend as much time walking my dog as I do painting!
It may seem like a long working day, but my enthusiasm for each painting carries my along.
If you could choose to live during the times that you depict in your paintings, would you?
I think we are blessed in the present day with the highest standard of living in history, so I wouldn’t choose to live in the past. Nevertheless, I believe that many vital traditional values and folkways have become lost or obscured over time. Each year I am saddened by the ongoing loss of the natural countryside to the relentless sprawl of urban development. In the years since I began painting, I have witnessed the gradual loss of many irreplaceable old barns, farmhouses and farmlands. Part of my mission in painting is to celebrate traditional ideals and to capture and preserve the symbols of our vanishing heritage.
Your fans have purchased your calendars for years. To what do you attribute their popularity and longevity?
The imaginary world that I depict in my paintings is my dream of an ideal realm of peace and rustic beauty. It is a contemplative world where life follows the unhurried cycle of the seasons. By contrast, the real world continues to rush on at an almost impossible pace, and day to day living can become quite hectic at times. I like to think that my paintings offer viewers a peaceful place to rest from time to time, a spacious country of the mind, far removed from the stress and distractions of daily living.
Comment on this post for a chance to win an autographed paint palette from Patrick Kinkade!
After our interview with Patrick Kinkade, he took some time to highlight one of his brother Thomas’ paintings from the Disney Dreams Collection. He talks a little about the process of highlighting and the partnership with Disney. We have also pointed out a few details you might not be able to see in the video. Enjoy!
The foreground of the painting really tells the beginning of the story. The setting is London, and Wendy, John, and Michael Darling are flying off with Peter Pan to begin their adventure.
The story continues in the top left corner of the painting. You can see the enchanted island of Never Land and the Lost Boys, Peter Pan’s crew, take shape in the clouds.
The top right corner picks up with Captain Hook and Mr. Smee who cause problems for the Darling family and Peter Pan and his gang. You can also see the crocodile, always eager to get his teeth on Captain Hook’s other hand.
We spent some time with Patrick Kinkade when he came to Austin in August. He was nice enough to give us an interview, and he also highlighted one of his brother Thomas Kinkade’s paintings. He gave us his palette when he was finished, so now we want to give it to one of you! This is the actual paint palette used by Patrick when he highlighted, and has the custom Kinkade paint colors and actual used brushes. This contest will run until 5:00pm on Halloween and there are three ways to enter.
1. Enter on our blog: Over the next three weeks, we will have blog posts about Thomas Kinkade and his artwork. Submit a valid comment on any of those posts to be entered to win.
2. Enter on Pinterest: Take a picture of Kinkade artwork hanging in your house, find your favorite painting online, or share a Kinkade product you covet. As long as it features Thomas Kinkade’s artwork, you can pin it with #KinkadeContest in the description to be entered to win. You have to follow us first, but every pin is a separate entry, so seek out that artwork!
3. Enter on our site: You can also be entered to win if you post a review on any of our Kinkade calendars or products between October 10 and October 31. Only valid reviews count, so don’t review a product if you’ve never seen it, and don’t review the same product more than once.
You can enter all three ways and as many times as you like. At 5:00pm October 31, we will choose a random winner from all eligible entries. Good luck and get going!
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