French Impressionist painter Edouard Manet died of rheumatism and untreated syphilis at the age of 51 on April 31, 1883.
Born into a wealthy, well-connected family in Paris on January 23, 1832, Edouard Manet was expected to practice law by his mother and father. Manet, however, had little interest in law and was instead fascinated by painting and the arts.
After failing his naval examinations more than once, Manet’s parents finally supported his career choice and sent him off to study under painter Thomas Couture. In addition to this, Edouard Manet would spend hours at the Louvre recreating classic masterpieces.
Manet was among the first of the 19th century painters to approach modern and post-modern subjects, and was an integral part of the artistic movement from Realism to Impressionism. Some of his most famous paintings are Olympia, The Luncheon on the Grass, and A Bar at the Folies-Bergere.
French Impressionist painter Edouard Manet died of rheumatism and untreated syphilis at the age of 51 on April 31, 1883.
Shelly Reeves Smith began her career in 1988 when she and a friend co-founded a greeting card company, Among Friends. Twenty years later, her illustrations of home and garden can be found on cards, stationery, books, gifts and home decor.
Smith lives in the Ozarks of Southern Missouri with her husband and son where her surroundings provide plenty of inspiration for her work. When she is not painting or spending time with her family, Smith dedicates her time to her bluegrass band, Lonesome Road.
Take a look at the Shelly Reeves Smith calendar line at Calendars.com.
Tell us about your musical talents and your band Lonesome Road.
I grew up in a musical family. My father, mother and brother all sing and play. During my high school and college years, I was fortunate to get a job performing at a country music show in my hometown in Missouri. I also met my husband through those music connections.
The Lonesome Road bluegrass band started in 1997 as a group of friends who enjoy playing together. We all have full-time jobs, but we get together about once a month to perform at local and regional bluegrass events in the Midwest. After 15 years we’re still going strong and having fun.
How does it inspire you?
As artists know, paintings need to have a place in them where the eye can “rest”. As a visual person, I guess I need that in my surroundings, too. Our little community in the country is the perfect place for that. We live in a farmhouse built in 1915. It’s surrounded by springs and creeks, fields and woods. My parents were both raised on farms, so I guess I’m naturally drawn to farmhouses and everything about them. Everyday things like tables and chairs, porches and windows, kitchen and garden tools can be so expressive. They, and the signs of our use on them, tell stories all by themselves.
What else provides inspiration for your art?
I’m inspired by my family, especially my son, Ison, who is now 2 ½. I also find endless inspiration when I study the Bible and when I read the work of talented people like Kerry Boone.
How long does it take you to complete a typical painting that appears in your calendars?
It takes me a couple weeks from start to finish…from concept, to pairing the idea with the verse, the rough sketch marked up for color, the final sketch, the finished watercolor painting, plus the verse and border art that accompanies it. Of course, that is if all goes as planned!
What makes watercolor your preferred medium?
I started out with colored pencil, but I like watercolor because it can be either soft or bold and it allows the painter to build up to brighter colors gradually. It also provides opportunity for “happy accidents” – like the unintentional splash of color that ends up looking purposeful. Unlike most other mediums, watercolor allows one to see through to the sketch beneath. That glimpse of the graphite sketch behind the color is charming to me.
Are they real places, or do they spring from your imagination?
I sure hope they are inviting. That is my goal. They are sort of an amalgam of real and imagined places, from either my current surrounding or from memories.
Do you begin a painting with a Bible verse in mind?
Yes, it is a big part of the equation. I have a little book that I keep with my Bible where I record verses that are meaningful. When making decisions about the calendars images, I usually look first to that book for inspiration.
Tell us how you work with Kerry Boone, who writes the sweet, secular verses that complement your art so perfectly.
Kerry is one of the kindest and most talented people I know. Because we are friends, we appreciate the same kinds of things – the simple life and the value of close relationships –so working with her is like working with a sister. She is a prolific writer with a large body of work from which to choose. We often select verses for the calendars from her existing work. At other times I’ll send her a sketch of calendar ideas for a certain year and ask her to either pull a line from work she has (that I haven’t seen yet) or write something specifically for those images. She always comes through with some little thought or phrase that takes my breath away.
Is your home as comfortable as the interiors we see in your artwork?
I want my home to be comfortable and enjoyable. It’s often easier to create that in a painting than in real life, but it’s always the goal. For variety, I try to paint interiors in various decorating styles, but I always end up coming back to the traditional American style. I guess we’re drawn to what speaks to our hearts.
Are you a good cook?
I’m clumsy in the kitchen, so I’m not a natural cook. But I love to cook and I really enjoy painting images that involved good food and gatherings like in the cookbooks I designed with Roxie Kelley. While working in her restaurant and bakery while in college, I personally served and prepared most of the dishes in those first two books, so they were like old friends. I also learned a lot about baking and gracious entertaining from her. The most important part of meal preparation, however, I learned from my mother…simply love the people you’re serving. That’s something we all can do well!
John Sloane always wanted to be an artist, and his talents were noticed as he went through school. His teachers encourage him to develop his talents, and he decided on a career as an illustrator while he was still a teenager.
Sloane opted to pursue a liberal arts degree, but spent his spare time in college developing his skills in painting and composition. Shortly after his graduation, he began to obtain free-lance commissions and has since developed a loyal clientele of publishers and collectors.
Sloane’s paintings highlight the beauty and variety of nature in all four seasons and the simple pleasures of country life. Check out John Sloane’s 2013 Country Seasons calendar line at Calendars.com.
You’re able to capture perfectly the sense of each season. Do you have a favorite season or particular time of year?
I love experiencing every season, so I would have to say that my favorite season is whichever one I’m in at the moment. Whenever possible, I like to paint pictures in the months in which they are set, as this allows me to feel and observe the many nuances of the season from life. I enjoy trying to capture the feeling of the sky in different seasons, the foliage of trees in summer and the texture of snow in winter.
Of course, an observer soon notices that there are many seasons within each season, as nature is in a constant process of unfolding. I think the most challenging months to paint are November and March, as those months are bare and rather colorless, and it can be hard to come up with new ways to portray them. But I have found that some of my favorite paintings turn out to be for those months!
Many of the scenes you paint have the feel of a bygone era. How do you accomplish that without having lived during that time?
I have always felt an affinity for anything old-fashioned, so I just naturally tend to think in that way. I find old houses, barns, horses and buggies, antique autos and period clothes to be much more interesting to paint than their contemporary counterparts. Also, I admire the ideals of traditional country values and the importance of our nation’s agricultural heritage.
Your Victorian farmhouse, Hearts Haven, that you and your wife renovated sounds like a labor of love. Tell us about it.
It is indeed a labor of love. Growing up in the city and suburbs, my wife and I shared a life-long dream of someday living in the country. We were fortunate to find a small nineteenth century farmhouse for sale, in need of renovation and situated in a lovely country setting. I was just young and idealistic enough at the time to be willing to undertake what would become a huge challenge of renovation. I think that over the years we have replaced or re-built just about everything on our old house, from the foundation to the roof. For one summer the entire house remained jacked up on a hydraulic lift as a new basement was dug and concrete was poured under it!And I designed and built a wrap-around veranda for the house. My dream was to be able to sit with my wife on an old wooden swing on an open front porch. Working together, we made the dream come true.
The places you depict in your paintings are so lifelike. Are they real places, or do they spring from your imagination?
The subjects of my paintings are imaginary, though they are often based on places I have been. Each painting usually begins with a kernel of reality that inspires me, and I then let my imagination take over. It has been said that writers often write the kind of books they would like to read. I guess I paint the kind of scenes I would like to inhabit.
People and animals populate your idealized landscapes. Are the people based on people you know?Do you have pets, and do you include them in your paintings?
Like my landscapes, the people in my paintings are a blend of the real and the imaginary. I like to include figures in my paintings whenever I can, in order to give life to the scenes. Often I will pose myself or my wife, attired in appropriate costumes, in order to get just the right look for what I’m trying to achieve. Sometimes family or friends are called on to pose.
Over the years, all of my dogs have been featured in my paintings, as well as local farm dogs, animals and wildlife.
What inspires your paintings?
Living in the country and enjoying the cycle of the seasons as I do, I would say that just about everything is a potential source of inspiration. I have so many ideas that it can sometimes be difficult for me to choose what to paint next. Sometimes a scene will inspire me to paint, while at other times an old-fashioned activity will be the starting point, and a scene will develop around that. In each series of paintings, I always try to present an interesting assortment of images and moods.
Tell us about the space where you paint.
I paint at home, in my finished basement studio that I had specially built when the house was renovated. In it I have plenty of room to paint, work tables, a cutting board, a storage area and a darkroom. I also have plenty of shelves where I keep a large collection of audio books and music CD’s. I have always loved listening to audio books while I paint. As I listen, the hours of work seem to fly by.
How long does it generally take you to complete a painting for your calendars?
I am very methodical in my creative process. Each painting takes me about a month to complete, from the conception to the final brush stroke. I begin by making thumb-nail sketches of my ideas and developing my subjects patiently until I am satisfied with the composition. I make a small but very detailed preliminary sketch, trying to work out all potential difficulties before I get to the final drawing stage. Once I’m satisfied with the design, I transfer it to my large drawing board by means of drawing grids and eye-balling the image, drawing lightly, square by square, until the entire outline is transferred. From there, I refine my final composition freehand in pencil. After that, I’m ready to begin painting. The more figures or architectural details and perspective that are depicted in the picture, the longer it takes me to paint. But I can usually finish everything within about thirty days.
You’re incredibly prolific. How do you maintain the discipline required to continue to create for so many years?
I don’t think of myself as being particularly prolific, but I am steady in my work habits. As a self-employed person, I learned long ago the value of maintaining discipline in my work days. I am now working on the new series for what will be the twenty-ninth collection of my calendar paintings. That will make 348 paintings painted in as many months!Yes, it’s prolific in the long run, but it is the result of long and steady work, over decades. I am especially fortunate to have the opportunity to share my vision and my art for so many years.
What’s a typical workday for you like?
As I hinted earlier, I am a creature of habit, so my workdays are pretty much unvarying. I begin every morning with a long walk with my dog down the old cow path through the meadow behind my house. I find these walks to be creatively stimulating, as I often get some of my best ideas while on these outings. It also keeps me from spending too much time sitting at my drawing board.
After breakfast, I usually spend some time on business and e-mails. As soon as possible, I head into the studio. I customarily paint through the afternoon and evening, while taking periodic breaks and walking my dog. I sometimes think that I spend as much time walking my dog as I do painting!
It may seem like a long working day, but my enthusiasm for each painting carries my along.
If you could choose to live during the times that you depict in your paintings, would you?
I think we are blessed in the present day with the highest standard of living in history, so I wouldn’t choose to live in the past. Nevertheless, I believe that many vital traditional values and folkways have become lost or obscured over time. Each year I am saddened by the ongoing loss of the natural countryside to the relentless sprawl of urban development. In the years since I began painting, I have witnessed the gradual loss of many irreplaceable old barns, farmhouses and farmlands. Part of my mission in painting is to celebrate traditional ideals and to capture and preserve the symbols of our vanishing heritage.
Your fans have purchased your calendars for years. To what do you attribute their popularity and longevity?
The imaginary world that I depict in my paintings is my dream of an ideal realm of peace and rustic beauty. It is a contemplative world where life follows the unhurried cycle of the seasons. By contrast, the real world continues to rush on at an almost impossible pace, and day to day living can become quite hectic at times. I like to think that my paintings offer viewers a peaceful place to rest from time to time, a spacious country of the mind, far removed from the stress and distractions of daily living.
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